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  1. Phase cancellation to remove noise
  2. NEW MIXER DILEMA
  3. Cinema SPL levels where do we (you) go from here? It's LOUD!
  4. Fostex PD-6
  5. what format besides Nagra and Dat for run and gun location
  6. Is the Movicam supposed to be silent?
  7. Insurance?
  8. Recipe for baking Tape
  9. any experience w/Sennheiser ew 100/300/500 ?
  10. 24fps <-> 25fps
  11. Which Sennheiser 100 wireless freq. set best for L.A. use?
  12. Need info about sound designer Gary Rydstrom
  13. audio interface for protools
  14. Sony ECM 88 Lav
  15. When to use wires?
  16. Yamaha DM 2000 as a HUI in Pro Tools
  17. "Meet The Winners"
  18. using an audio compressor to record dialogue
  19. Foley Stage Designs?
  20. Sonifex Courier
  21. Sennheiser MKH418S
  22. Breaking glass with sound
  23. 12 v lead Battery alimentation and Fuses
  24. Doing pull up w/ PD-4?
  25. cooper css time code resolver
  26. the history of the "sproing" sound
  27. SFX Tiger recording
  28. Post Conform for OSX
  29. EMMY Creative Arts Award Ceremony Changes
  30. DVD-R, DVD-RW, DVD-RAM
  31. DVD-R, DVD-RW, DVD-RAM
  32. Remote cable for M6 to PD-4
  33. Audio Post Facilities near Atlanta or Savannah
  34. What is the dynamic range of the Mini DV format?
  35. Animation sound, advice needed.
  36. hourly edit bay / mix space in Burbank?
  37. NAGRA IV-SJ Anyone know this one?
  38. Setting manual audio levels for Sony TRV900
  39. new portable mic preamp
  40. Wireless Timecode
  41. Micing Basketball Film
  42. Frasier micing
  43. sound post for dv feature using pt LE?
  44. Location Recording on Mac laptop with Protools
  45. PT LE - and SIS Chipset
  46. job this weekend LA
  47. update on weekend job LA
  48. Martin Evans
  49. Hiding microphones
  50. Shooting for US Team in Europe, Framerate ?
  51. Nearfield monitor for dialogue
  52. study filmmaking in US
  53. Los Angeles Sapphire Group Saturday, August 23 Tom Holman
  54. Advertisement for 24P book
  55. mic technique for a game show
  56. Marantz CDR300 for location and atmos recording?
  57. Left / Right vs. Dolby Digital
  58. mics used in candid camera shoots
  59. MPSE Elections
  60. Couple of questions for a DV feature production sound.
  61. Union rates in USA ?
  62. Logic 6, Mac G5 and video
  63. wireless headphone
  64. Audio for MiniDV film
  65. DC power for cart
  66. Simulating AC3 with Tweetie and Woofie
  67. Audio in helicopter
  68. atmo and SFX
  69. Internship
  70. little hard disk recorder to replace walkman Dat
  71. supply Tascam DAP1 with 12V source
  72. Sennheiser MKH 415 & MKH 416 Differences??
  73. Don Hall to Receive MPSE Career Achievement Award
  74. DAW info
  75. THX “Deep Note”?
  76. How is Nuendo on Mac OS X?
  77. Heard of Janus sfx library?
  78. AATON CANTAR X
  79. windjammer, winderscreen or softie?
  80. recording in nasty weather
  81. Canon XL1 - 48v Phantom mic
  82. Recording Sound Effects in a Small Space?
  83. Theory v. Instinct
  84. Best Sound Book?
  85. SF area recording arts school?
  86. Sony HD Audio
  87. T.H.E. Microphones
  88. Production Sound for ER
  89. Christopher Boyes and [i]Titanic [/i]
  90. Aaton 3 Perf Operation
  91. We need your help urgently for one final appeal to the MPAA!
  92. telephone taps
  93. boom handling noise
  94. Broadcast Levels/Compression
  95. Broadcast Levels/Compression
  96. Multi Track recording & Post
  97. Pre amp for Sony TCD-D8 walkman dat
  98. Sound designer PT Plug-ins
  99. Tram and Sonotrim web Sites
  100. Marantz PMD-670 Professional Compact Flash Portable Recorder
  101. documents or manuals for the Focusrite Consoles
  102. SFX from CD good enough for film?
  103. Just discovered this site....
  104. M/S effects field recording: Sanken CMS-9 vs. Schoeps CCM's
  105. Mipro wireless
  106. Looking for Good Desert SFX
  107. ADR in A DV project
  108. Greetings.
  109. Stolen Gear
  110. The Film "SEVEN"
  111. Is DSD of any value in the film sound world?
  112. Flat tyre effect?
  113. Who gets to go to the "Bake Off"
  114. Non Linear Recorder seminar in New York
  115. OSX-"reader" for this forum?
  116. "Way of the Gun"
  117. Best Mic for FX Recording
  118. Mini DV Sony trv 33
  119. WHICH SHOOTGUN MIC??????
  120. PT6 network
  121. Zaxcom Cameo issues
  122. Sound Devices 442
  123. Saje console
  124. HD recorders, TC and Audio files formats
  125. MPSE Nominations Announced!
  126. Wireless Frequency Map - Chicago, IL
  127. anyone in chicago?
  128. CAS voting...?
  129. HD recorder presentations & Video Streams
  130. SEARCHING FOR LCRS STEMS " TRANSFORMERS THE MOVIE"
  131. hearing problem anyone?
  132. Fostex PD 6 in location recording
  133. WALLA?
  134. To Gary Rydstrom
  135. Location to Post mix for a doc' reality show..
  136. Editing Software
  137. Audio problems during Celine's Grammy performance
  138. Timecode DAT and Protools...How to digitize sound w/TC
  139. Playback for Music Video
  140. Audio Mix for 2004 Non-Linear Seminar
  141. Members?
  142. A recorder for cinema audio and classic music...
  143. Idrophone
  144. World TV stations
  145. Good headphones
  146. Congratulations to the CAS!
  147. CAS Awards
  148. Use of the LFE track in cinema releases
  149. Pal to NTSC transfers
  150. Nextel Cellphones
  151. Film Sound EQ and encoding, Advice needed
  152. Problems with emails to CAS and some questions
  153. MPSE Golden Reel Award Winners!
  154. New to movie sound, HELP!!!
  155. PD-6 and Postproduction
  156. Cantar X vs. Deva
  157. HD Sound
  158. Baking tapes
  159. HD and audio post
  160. Dedicated Fairlight user forum
  161. switchable Barrel adaptor
  162. Good Rental House in Pittsburgh
  163. DVD authoring and the X-Curve
  164. MBox+Laptop for production sound, Latency Issues?
  165. double system sound, DAT, DV issues (NTSC)
  166. Slashing sound effects
  167. Replacing a Timeline Microlynx, BUT with WHAT?
  168. Cicadas
  169. Splitting Tracks, Assigning Tracks
  170. Timecode for Film/HD Music Video
  171. Quad BG output in 5.1
  172. OMF into PT from FCP
  173. Need top sound person for reality makeover show
  174. Links to 100 audiopost articles
  175. GARY RYDSTROM/DANE DAVIS EVENT JULY 14TH!
  176. Lav Mic for production sound, Help Needed please.
  177. Shure FP 32A
  178. SANKEN CS1 noise
  179. Hey Alan.
  180. MAGLESS DAILIES?
  181. Indie Doc Sound Issues
  182. How do I create a deep base drum effect?
  183. Advice for recording in loud environment, this time Nascar
  184. Jack Foley
  185. Sound Devices 722/744T
  186. Digital/Stereo wireless link for DigiBeta....does it exist
  187. Upcoming event
  188. Student Membership
  189. Laptop Recording Rig
  190. Looking For Good Sound Designer in Los Angeles
  191. going to Budapest...
  192. Mini hard disk recorder to replace DAT
  193. levels...where to keep them?? what to tell post??
  194. PD-6 in FCP 4
  195. Radio mic for birds and wing Fx
  196. Horrible Sync Problem - Help begged for
  197. Duh, what computer should I buy
  198. powerbook and protools setup
  199. [b]Surgestions by transfer locater sound into post productio
  200. Adjunct Audio Faculty at U.T.
  201. Post Mixing question
  202. Wireless Question
  203. Tascam DA-P1 stolen and now discontinued - what can I do?
  204. test
  205. Music Video Playback with PT and HD.
  206. Hard Disk Recorders Seminar by CAS
  207. Lectrosonics Wireless
  208. HD and DAT framerates
  209. HD and DAT framerates
  210. Pepsi or Coke? Marantz PMD670 or Fostex FR2?
  211. Battery Power
  212. Accidental switch from 48khz to 88.2khz - what can I do?
  213. Pro software?
  214. BWF
  215. Info on HHB Portadat
  216. PD6, DEVA, Cantar X, Sound Devices, Nagra, HHB HD/DVD
  217. Best small lav for corporate/eng video work
  218. Best lav mic for off axis rejection?
  219. Dialog and room tone
  220. Short Films
  221. MPSE Adds Foley Artists!
  222. need 2nd boom/utility-Tennessee
  223. Noise Cancelling Headphones?
  224. Getting Audio from Adobe Premiere?
  225. To limit or not to limit ADR, that's the question
  226. foreign productions in India
  227. BWF files on location with MetaCorder software
  228. DVD-ram / CD copy from NAGRA V
  229. Dialogue Compressor
  230. Mixing room acoustics
  231. how do I creating a cracking thunder?
  232. Sound in 24 and 25 film speed
  233. Wireless Headset Systems
  234. Sony TCD-D100
  235. MPSE Filmmaker's Award to George Lucas!
  236. pd-6 or deva or another multitrack?
  237. New MPSE Web Site and Submission Forms!
  238. inconspicuous slate
  239. Information Contact about Randy Thom
  240. Pro Tools, where is it going?
  241. Time code from HDD and copies
  242. 5.1, 6.1 or 7.1 - What's the better choice?
  243. 96k Sample Rates for SFX?
  244. How to make the sound of a Bee in flight, closeup?
  245. Mixer for I River HP120
  246. DAW info
  247. Anyone feeding PD-170?
  248. location sound kit accessories?
  249. Dolby X DTS
  250. Microphones for 24/96 sfx recordings