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  1. "shaggier" than a Windjammer ?
  2. Good sound on consumer mini-DV camera?
  3. Apple X-Serve RAID
  4. Deva V vs HHB Portadrive
  5. "Downward Expanding Dialogue"?
  6. Sound Effects Opinion (Body Impact/ Bird Wings)
  7. right angle Xlrs on sound devices 442 love em, hate em?
  8. Need some Foley Studio/Artist recommendations
  9. audio monitor return selector box
  10. any sound mixers using software DAW for location sound?
  11. Filters on Dialogue / Mixing
  12. short shotgun microphone for interior
  13. Using convolution to make dialog sound outside
  14. Film sound history
  15. Recording One-Man Show
  16. TIMECODE RECORDER FOR MiniDV PROJECT?
  17. voice recording for picture
  18. Any microphone suggestions for this situation?
  19. FP32 + PD900WAP
  20. Shure SM89 considerations
  21. Master format on Dolby Digital?
  22. Too many files!
  23. Recording Ethnic Instrument Live
  24. Documentary sound: equipment, approach and tecnique
  25. Film Scoring
  26. Time code on disc
  27. emmys question
  28. getting 24fps DAT into AVID (UK PAL land)
  29. VT500 Voice Technologies lav mic across dif. Lectro models
  30. Help - Broadcast Levels
  31. MPSE Golden Reel Awards Winners!
  32. Fostex FR-2 Location Recorder, opinions?
  33. Where to study? Help a budding student out.
  34. M/S recording in film and tv
  35. Neve DFC or Euphonix System 5F??
  36. The vaccum of space - sfx
  37. Digital wireless
  38. hi all, newbie here
  39. HD VARICAM AND DAT,FRAME RATE,DF,NDF?
  40. Welcome back to the CinemaAudioSociety.org Web Board!
  41. Mastering to Digibeta
  42. apogee mini MP + RME adi-2 for the field?what mic?
  43. Synth and Sampler Technology??
  44. Stolen Audio Equipment: Burnaby BC
  45. Production and Post-production audio movies
  46. ADR microphones
  47. NAGRA IV-BL cable
  48. ICON
  49. recording sound in drag cars
  50. Hiding mics on talent
  51. Sync playback help
  52. genlocking?
  53. Simply Stereo
  54. Importance of a Blackhurst Generator
  55. Looking for a sound restoration expert.
  56. FREE SCREENING/LORDS OF DOGTOWN
  57. kmr81i repair question
  58. How does the Tascam DA-P1 work?
  59. Suggestions to locate talent....
  60. Which format when recording seperately?
  61. "Workflow" seminar at SPE
  62. Heartbeat Sound Fx
  63. How about Vegas?
  64. computer hardware
  65. HARD DRIVE RECORDING ALREADY OBSOLETE?
  66. MPSE FOLEY SHOW JULY 13TH!
  67. Film Plugins???
  68. Choice of recorder and equpment for startup location sound
  69. sound recording inside cars
  70. School
  71. HOW MUCH TO CHARGE FOR SOUND DESIGN
  72. CAS Seminar Ready for Download!!!!!
  73. MPSE Screening of Wedding Crashers!
  74. managing files
  75. Matching exterior ADR
  76. August 6 - Zaxcom Seminar at Coffey Sound
  77. Surround Sound For Cinema??
  78. Automatic Audio Conforming - Help!
  79. Special filters? for Hollywood sounding dialog
  80. Synching Audio and Video: Newby Music Promo Production
  81. Analog to Digital Conversion with Pro Tools
  82. 16mm Feet & Frame Ruler
  83. Field Recordng Mic/Recorder Packages
  84. 5.1 recording
  85. Re-recording mixer, Sound Designer, Editor, or Engineer?
  86. What PC, PS2 or X Box games have the best sound ?
  87. NLE and DAW Integration I NEED HELP!
  88. 695 Seminar in Streaming Video
  89. nuendo and hardware
  90. Joining Academy of TV Arts & Sciences...
  91. Infinite surround sound format... there's an idea
  92. New production sound recorder for Mac
  93. Budget mic
  94. simulated sound effect help
  95. Feature Dialog sound, please help.
  96. Inexpensive (very!) field mixers
  97. POssible marriage of Microtrack recorder and a HHB?
  98. Icon D-Control--Anybody??
  99. Recording underwater in stereo
  100. Tascam's New Portable Recoder
  101. Tascam DS-M7.1 monitor controller.
  102. divergence to get stereo material to the center channel?
  103. Academy Screenings
  104. Field recorder reviews
  105. Mix minus....
  106. Sound Design beginner questions
  107. Rimusicazioni Film Festival
  108. INVERTERS
  109. Sennheiser 415/815t pin layout?
  110. stand alone recorder with good mixer function
  111. Neumann Shotgun Question
  112. HHB time code DAT without Master Sync or H.P. Matrix ?
  113. 12V DC TO phantom48v dc.Just modified mackie,works with 12v
  114. CAS workflow video - where is it
  115. Marantz PMD660? Any good for compact kit?
  116. Flatbed and computer sync
  117. Surround system for one night only!!
  118. Oktava MK012 - Any Good?
  119. Do I really nead a Time Code Slate with a 744T?
  120. Syncing DA-88 and HDCAM-SR
  121. Audio Workflows with Avid and Pro Tools
  122. Putting a Quicktime on a TV Screen
  123. Air traffic noise - is there any hope?
  124. Merry Christmas and Happy New Year!
  125. 12vdc to 15-18 volt + and - converter
  126. The June seminar Q&A is back online. YES!
  127. The CAS and Digidesign Present :
  128. A Stereo co-incident pair Senn’ 416’s – please advise
  129. Need Advice on Microphone Selection
  130. Tascam HD-P2 Timecode synch
  131. Light weight umbilical mixer to camera cable?
  132. 85db spl
  133. IZM 125 Digital Mixer
  134. Post Sound Task Clarification
  135. Live Comedy Show Mixing Question
  136. Ice cracking foley - techniques?
  137. Neumann KMR81i Low Cut
  138. Lectrosonics UCR211 Levels with SD442
  139. Hi Def + Double system + Timecode = confusion
  140. Radio mic use in 'Battlestar Galactica'
  141. Fostex FR-2 Timecode Option
  142. CAS Awards
  143. Playing Tascam Broadcast WAVE files
  144. The New C.A.S. winter Journal is available here in PDF
  145. Tips on getting good production audio?
  146. Wireless theory and Lectrosonics equip seminar on 3/4/06
  147. Post Recording Kit Advice
  148. what professional lavalier (for sennheiser evolution ew100g2
  149. BEST SOUND DEVICES PRICE NOW ON MARKET,
  150. Duration of a Re-Recording Session
  151. Printing Cue Sheets from Pro Tools sessions
  152. iPod Recording
  153. Mic pre for ADR
  154. Looking for suggestions...
  155. MP3 Music Downloads
  156. How do YOU get it recorded on location?
  157. New Location Sound Website.
  158. Feet+Frames
  159. What little, indispensible items are in your sound kit?
  160. Advice regarding monster echo in huge warehouse
  161. Laughter/breathing in M&E mix
  162. Pre production
  163. NTSC to PAL conversion
  164. Nagra T-Audio
  165. Nagra IV-L playback output?
  166. Breathy Voiceover
  167. recording audio on a Nagra IV SJ
  168. Artificial wings in flight. help!
  169. filmtech pam 42 service manual
  170. 23.976 lay back to DA88
  171. Shotgun mics with high consonant articulation?
  172. Lectrosonics Wireless Problem
  173. Donald O. Mitchell
  174. Foley sessions
  175. fostex pd6 all opinion available please.
  176. Mixing for TV
  177. CAS Quarterly
  178. A Question for Mr. Ron Judkins, C.A.S.
  179. single-point stereo mics
  180. CAS Workflow Seminar Sunday June 25 Notice
  181. Anyone ever seen these guys before?
  182. Final Reminder Zaxcom Seminar - Saturday
  183. Remixing Stems for Broadcast
  184. fostex pd6 premix on one channel out
  185. Compressor used as a de-esser ??
  186. How to record dialogue to sound like a radio broadcast?
  187. Noise Reduction Plug-ins
  188. Recording 5.0 BG and FX
  189. Ping: Felipe Borero
  190. HOUSE M.D
  191. mkh 816 or mkh 70 ?
  192. Field Recording Rig
  193. DEVA V for music video playback
  194. ZAXCOM DEVA MIX-12
  195. Ray Cymoszinski's Memorial
  196. Timecode transmitters and the Tascam HDP2
  197. Sound Devices 7-Series v2.0 Software Update Announcement
  198. shipment of gear for out of town work
  199. RE: LD3 shipping cases...
  200. Tascam HDP2
  201. Recording in Sahara
  202. M&E Tracks vs. Production Sound
  203. doing sound for HD shows
  204. What should they know?
  205. help with the noisy f900 sony cinealta
  206. Frank Warner MPSE
  207. Phase Cancellation
  208. TV noise reduction tricks
  209. Sound Cataloging Software
  210. Hush Lav from Mark McNabb
  211. Fall Quarterly
  212. A Happy New Year to All
  213. Surround mixing/tracking courses.
  214. Choice in Mixing When a destination is not known
  215. The 2006 CAS Award Nominees Announced
  216. Getting timecode from a 1394 port
  217. Tascam HD-P2 Versus Edirol R-4 Pro
  218. 24fps vs 25fps BWF files
  219. AT 4071a??
  220. Microphone Encyclopedia?
  221. From 1929: "Finding His Voice"
  222. Time Code to Panasonic DVX 100's
  223. Pearl MSH20
  224. Membership
  225. Hello fellow,
  226. Sync sound recording
  227. Do you own a Sennheiser 418?
  228. NAB: "Proof of Concept" Linux system, plus tracks from Fox's "24"
  229. combining two sounds
  230. What tools would you love to have?
  231. how to capture screen shots with WMP etc
  232. New Sound Blog...
  233. Quarterly
  234. Water & Mics
  235. Plug-ins Article
  236. Oceans Thirteen
  237. Television Loudness Summit
  238. Mixing publication recommendations.
  239. Nagra 3 and Nagra 4 in digital age
  240. "What Happened to My Mix?" Seminar
  241. mini DV to computer
  242. Final Mix volume
  243. New program for cueing ADR in Pro Tools
  244. Mixing LFE/Sub: How Low Do You Go? 30Hz? 20Hz?
  245. Deva II Needed
  246. robust wireless system
  247. Fostex PD-6 DVD-RAM firewire (IEEE 1394) file copy problem
  248. The synchronization of „Dickson Experimental Sound Film“
  249. Which mike would you choose for a TV/radio spot?
  250. oktava mk012 for stereo recording?